These photographs map the geography of in-betweenness — the perpetual foreigner's attempt to claim belonging through observation rather than inheritance. Shot across Asian streetscapes where my mixed-race Asian body marks me as visibly outside, the camera becomes both barrier and bridge: a tool that justifies presence while acknowledging permanent distance. The work documents not places but the act of reaching toward them, suggesting that for those caught between cultures, participation itself, the devoted attention of looking, becomes the closest available form of home.